پنج شنبه, 13 آذر 1399                    ساعت:

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41 سال تجربه در طراحي و ساخت تجهيزات مختلف و اجراي كليد تحويل پروژه ها

An Offensive Aspect of the After Effects

An Offensive Aspect of the After Effects

For us, today, often the more bad aspect of Strindberg's critique is likely the matter of male or female, beginning with his remark that “the theater possesses always been a good open public school for the younger, the half-educated, and girls, who still possess of which primitive capacity for misleading on their own or letting themselves be deceived, that can be to say, are open to the illusion, to be able to the playwright's power of suggestion” (50). Its, even so, precisely this benefits of suggestion, more than that, often the blues effect, which is definitely at the paradoxical centre of Strindberg's vision of theater. As for exactly what he says of ladies (beyond his / her feeling of which feminism was an elitist privilege, for ladies of this upper classes who had moment to read Ibsen, while the lower classes moved pleading, like the Fossil fuel Heavers in the Riva in his play) his fissazione is such that, with some remarkably cruel portraits, he or she almost exceeds critique; as well as his misogyny is many of these that one may say connected with this what Fredric Jameson explained of Wyndham Lewis: “this particular idée fixe is very extreme as to be basically beyond sexism. ”5 I think some connected with you may still want to quarrel about that, to which Strindberg might reply with his terms in the preface: “how can people be purposeful as soon as their innermost values can be offended” (51). Which often isn't going to, for him, confirm often the beliefs.Of cou